1 00:00:13,000 --> 00:00:16,640 So, dear Jackie Michel fan, you don't see it yet, but I 2 00:00:16,640 --> 00:00:20,440 see. The day before at Aubi with her little one coal umbrella. 3 00:00:22,580 --> 00:00:25,980 Everyone who laughs is already in my bed. Is that the expression? 4 00:00:25,980 --> 00:00:26,939 I don't know anymore. 5 00:00:26,940 --> 00:00:28,280 We wait for people to pass. 6 00:00:28,880 --> 00:00:29,880 Elodie, hello. 7 00:00:30,180 --> 00:00:31,840 Good morning. This is Marc by Jackie Michel. 8 00:00:32,080 --> 00:00:34,700 We are happy to welcome you to Paris. The weather is always nice. 9 00:00:35,240 --> 00:00:36,620 Above all, it is very strong. Indeed. 10 00:00:38,760 --> 00:00:41,840 And in Orléans, you have a dog’s side like this. It depends. 11 00:00:42,640 --> 00:00:43,640 To so many female dogs. 12 00:00:43,920 --> 00:00:44,960 Mr. Jacques-Michel. 13 00:00:45,720 --> 00:00:49,900 Sir, hello. He's your guard body, your father, your brother? Let's say, I 14 00:00:49,900 --> 00:00:52,060 you admit, I was a little in no more good alone. So, I have 15 00:00:52,060 --> 00:00:53,240 asked a friend to accompany me. 16 00:00:53,760 --> 00:00:54,659 All right. 17 00:00:54,660 --> 00:00:55,660 Hello, my friend. 18 00:00:56,140 --> 00:00:57,600 Hello, Mr. Jacques-Michel. 19 00:00:58,800 --> 00:01:00,200 Excuse us, we will take care of it 'Elodie. 20 00:01:00,960 --> 00:01:02,340 First, first. 21 00:01:04,269 --> 00:01:07,670 So, Elodie, tell me, do you have used to go out like that when I was little 22 00:01:07,670 --> 00:01:10,530 little boot, eh? It happens to me. Since then, I admit to you that I have 23 00:01:10,530 --> 00:01:11,530 even dressed for the occasion. 24 00:01:11,610 --> 00:01:15,370 In little slut mode, huh? Small slut from Orleans. 25 00:01:15,830 --> 00:01:17,290 That's it. 26 00:01:17,530 --> 00:01:18,630 Oh, the little mimis. 27 00:01:19,210 --> 00:01:20,530 Look, dear brother of Jacqueline Michael. 28 00:01:21,070 --> 00:01:22,150 How good she's going to be. 29 00:01:23,110 --> 00:01:24,110 Oh, 30 00:01:24,290 --> 00:01:25,290 you have the descent. 31 00:01:25,630 --> 00:01:30,550 It's true ? Yes, they're good ones. 32 00:01:46,780 --> 00:01:52,420 So there you go, actually, I'm a student in art and I wanted to make a band 33 00:01:52,420 --> 00:01:56,520 drawn which turns around a little porn. We can call it hentai 34 00:01:56,520 --> 00:01:57,520 or other. 35 00:01:58,040 --> 00:02:04,960 And I told myself that contact... I am told to contact Jackie Michel. 36 00:02:05,240 --> 00:02:07,460 I am a fan of this box production. 37 00:02:08,120 --> 00:02:11,180 This is the best way to have good references at the level of 38 00:02:11,180 --> 00:02:14,700 positions. All right. So, in fact, you want to steal our ideas, thing and 39 00:02:14,700 --> 00:02:16,820 everything to make a comic book. That's it. Exactly. 40 00:02:17,040 --> 00:02:17,439 All right. 41 00:02:17,440 --> 00:02:20,260 And you know how to draw? I am a savory. Yes. Ah well yes, if I am 42 00:02:20,260 --> 00:02:22,860 wide school. When I ask your buddy, does she draw well? Have you already seen 43 00:02:22,860 --> 00:02:26,100 drawings? She draws really well. D 'agreement. Have you ever made drawings? 44 00:02:26,100 --> 00:02:27,100 pigs? Yes. 45 00:02:27,190 --> 00:02:30,670 But often, at the moment, it bothers me a lot in my head. 46 00:02:30,890 --> 00:02:34,570 All right. And so, you would like to do a comic, in fact, about the world of porn 47 00:02:34,570 --> 00:02:37,270 in France, is that it? So, through, notably, Jacqueline Michel. 48 00:02:37,570 --> 00:02:38,570 Voilà. 49 00:02:39,030 --> 00:02:42,690 So. And so you came to Jacqueline Michel to inspire you, c 50 00:02:42,690 --> 00:02:43,388 Yes, exactly. 51 00:02:43,390 --> 00:02:47,830 And then, to also experience the thing in TRUE. This will perhaps be more relevant, 52 00:02:47,830 --> 00:02:49,150 afterwards, to interpret on paper. 53 00:02:49,630 --> 00:02:51,530 Ah, so inspire you and make you sobomize. 54 00:02:51,850 --> 00:02:52,589 That's it. 55 00:02:52,590 --> 00:02:53,590 All right. 56 00:02:53,610 --> 00:02:54,710 With words - taken, that's it. 57 00:02:55,130 --> 00:02:56,490 Okay. Okay, okay. 58 00:02:57,090 --> 00:03:01,330 And this famous dirty comic, you already have a little idea for a scenario in mind? 59 00:03:01,330 --> 00:03:03,690 Not really, no, it's precisely for that's why I'm coming to see you. 60 00:03:04,190 --> 00:03:06,810 Okay, do you want us to help you? I don't really know how you 61 00:03:06,810 --> 00:03:07,810 unfold this stuff. 62 00:03:08,830 --> 00:03:13,230 What Jacqueline Michel tells you, fantasies, the secrets of the French, 63 00:03:13,230 --> 00:03:15,130 is that? That's it. To inspire you? Exactly. 64 00:03:15,450 --> 00:03:17,570 In any case, we have something that really inspires. 65 00:03:18,410 --> 00:03:22,430 It's under your coat there. 66 00:03:23,220 --> 00:03:25,900 Just in your whole head to say, t I have something, it's really inspiring. 67 00:03:26,500 --> 00:03:30,860 Did you come like that? I came like that, it came very early. 68 00:03:31,080 --> 00:03:32,340 Did it come very early? Very, very early. 69 00:03:33,260 --> 00:03:35,440 Very, very early. You had to leave Gaul at college, there. 70 00:03:36,900 --> 00:03:40,680 And you, Mr. Boyfriend? Mr. Boyfriend, he has a first name, Boyfriend? Anthony. 71 00:03:41,080 --> 00:03:42,120 Anthony. Anthony. 72 00:03:42,740 --> 00:03:47,320 And so, are you attracted to him? Excuse me, have you ever moved together or not? 73 00:03:47,320 --> 00:03:48,320 No, no, never. 74 00:03:48,560 --> 00:03:50,580 No, no. He's just a friend, really. 75 00:03:50,920 --> 00:03:52,260 Was it in the descent, were you? 76 00:03:52,510 --> 00:03:53,409 No, not true. 77 00:03:53,410 --> 00:03:56,510 What are you in? I'm in a photo. 78 00:03:57,830 --> 00:03:59,710 Are you surviving? All right. 79 00:04:00,750 --> 00:04:03,410 Well listen, today you're going to get by with Jacques-Michel's team. 80 00:04:03,610 --> 00:04:05,310 It's nice. It's your friend Elodie. 81 00:04:05,590 --> 00:04:06,590 We say thank you. 82 00:04:07,050 --> 00:04:08,690 Thank you Jacques-Michel. 83 00:04:08,950 --> 00:04:09,950 There you go. 84 00:04:10,350 --> 00:04:13,830 Well listen, we're going to take you to a place for sex. Oh yes. 85 00:04:14,230 --> 00:04:16,380 You're going to make us some beautiful drawings. D 'accord. 86 00:04:17,079 --> 00:04:20,399 Are you going to color in? Yes, without exceeding costs. We brought you back 87 00:04:20,399 --> 00:04:21,800 markers? Yes, markers. 88 00:04:22,180 --> 00:04:23,180 A beautiful pouch of markers. 89 00:04:23,680 --> 00:04:27,000 What do you draw with? Now we draw on the computer, right? We can 90 00:04:27,000 --> 00:04:30,220 draw in parallel graph, but I don't know. 91 00:04:30,480 --> 00:04:32,300 Pencils, all that, but infographics, of course. 92 00:04:32,520 --> 00:04:33,960 Okay, with pencils, quoi. 93 00:04:34,160 --> 00:04:36,140 Yes, Criterium, all that. 94 00:04:37,060 --> 00:04:38,060 No brand. 95 00:04:57,100 --> 00:05:01,960 Dear Elodie, here we are, dry. 96 00:05:02,560 --> 00:05:05,900 At the same time, we don't mind that you are already a little dark. 97 00:05:09,580 --> 00:05:11,700 Okay, you're like that, you throw away your coat. 98 00:05:12,020 --> 00:05:13,080 For the fans. 99 00:05:14,100 --> 00:05:17,860 Wouldn't you be a little dominant on your wishes? A little pretentious with 100 00:05:17,860 --> 00:05:22,900 vows, right? And your boyfriend makes you still angry? Finally your boyfriend. 101 00:05:23,690 --> 00:05:25,710 Wait, we get along, because we are on Jacques and Michel. So on Jacques 102 00:05:25,710 --> 00:05:28,330 and Michel, as soon as we say friend, the people, they think we're fucking each other, 103 00:05:28,330 --> 00:05:30,310 thing, everything. No, no, I'm just a buddy. 104 00:05:30,910 --> 00:05:33,970 I swear on my honor, you raise your hand right, you say I swear, I am 105 00:05:33,970 --> 00:05:34,629 just a friend. 106 00:05:34,630 --> 00:05:36,270 I swear on my honor that I am only 'a friend. 107 00:05:36,570 --> 00:05:38,990 You've never been sucked by Elodie ? Absolutely never. 108 00:05:39,230 --> 00:05:42,890 And will you do it today? No, that It would still surprise you. It m 109 00:05:42,890 --> 00:05:43,890 You might be surprised, I have a girlfriend. 110 00:05:44,210 --> 00:05:46,030 We hold your head there, there, before to keep your head. 111 00:05:46,330 --> 00:05:47,370 We're going to talk about your girlfriend. 112 00:05:47,590 --> 00:05:48,509 We hold our heads. 113 00:05:48,510 --> 00:05:49,510 So. 114 00:05:49,790 --> 00:05:52,050 So Elodie, so you are from Orléans? C That's it. 115 00:05:52,650 --> 00:05:54,630 You like making drawings, beautiful colorings. 116 00:05:54,850 --> 00:05:58,350 There you go, I have tree rims. I am currently working on a project 117 00:05:58,810 --> 00:06:04,510 So I told myself I could contact Jacques-Michel for information 118 00:06:04,510 --> 00:06:07,670 ideas, see how it goes and then be able to produce that on paper. 119 00:06:08,570 --> 00:06:10,710 So there you have it, I'm very happy 'have had a response. 120 00:06:12,070 --> 00:06:15,630 We will always play young girls. I wasn't expecting it. Above all 121 00:06:15,630 --> 00:06:17,936 good girls. 122 00:06:18,530 --> 00:06:21,650 And so what do you actually expect from us? ? You want to see an actor's cock 123 00:06:21,650 --> 00:06:24,530 true to know how she draws the paw? Oh yes, 124 00:06:25,310 --> 00:06:26,310 yes, yes. 125 00:06:28,490 --> 00:06:32,810 Okay, how much do you make? Ah, I do 95. That's the question I ask myself 126 00:06:32,810 --> 00:06:35,370 you've been asking yourself for a while now. I do of 95F. 127 00:06:37,070 --> 00:06:39,370 95F? Yes. Oh it's the histopath, it's It's not possible. 128 00:06:40,330 --> 00:06:41,810 Remove a button or two there to see. 129 00:06:43,130 --> 00:06:47,490 I can probably take one off if you want. Eh ? Well yes, it's hard. 130 00:06:48,140 --> 00:06:50,240 It was simple, not everyone. We do what you want. 131 00:06:52,000 --> 00:06:53,000 Ah there, the vomit. 132 00:06:54,620 --> 00:06:55,620 The cow. 133 00:06:57,360 --> 00:07:00,740 You must have often been dragged through the toilets in high school. 134 00:07:01,020 --> 00:07:02,020 Bags like that. 135 00:07:03,200 --> 00:07:07,300 And your girlfriend also has big tits 'Elovie? No, not really. 136 00:07:07,640 --> 00:07:09,560 Is it rather flat? Rather flat. 137 00:07:10,780 --> 00:07:15,780 I see. The way you look at them Élovie's breasts, there, I... L 138 00:07:15,780 --> 00:07:17,020 The insinuation is not necessary. 139 00:07:17,390 --> 00:07:19,750 And you manage to lick them like that, finally Paris? Oh yes. 140 00:07:28,330 --> 00:07:30,450 Wow, so you're used to it, huh? Oh oui. 141 00:07:30,790 --> 00:07:37,570 Have you done this often? And so then, Elodie, tell us how a guy 142 00:07:37,570 --> 00:07:40,930 everything... If a guy wants to fuck himself, imagine, how should he do it? Oh, 143 00:07:40,930 --> 00:07:45,550 can do everything. Me, I am rather BDSM, who makes his gifs. 144 00:07:45,960 --> 00:07:50,620 Hidden in the face. Okay, but imagine, you are taking a 145 00:07:50,620 --> 00:07:54,360 a friend, a café terrace, you a little skirt, you uncross the 146 00:07:54,360 --> 00:07:58,020 a man stops on your panties, he comes to flirt, he won't go straight to you 147 00:07:58,020 --> 00:08:00,160 pull by the hair, he will say, come There, I'll take away our toilets. 148 00:08:01,960 --> 00:08:04,180 Well, it depends, it also has to be pleases us at least. 149 00:08:05,380 --> 00:08:06,460 Ah good ? It's difficult. 150 00:08:07,700 --> 00:08:08,700 Ah, it depends. 151 00:08:09,280 --> 00:08:10,680 It's difficult. 152 00:08:11,380 --> 00:08:12,380 Yeah. 153 00:08:14,610 --> 00:08:18,950 So you have to do it how to flirt there? You have to do it how, 154 00:08:18,950 --> 00:08:19,889 don't know. 155 00:08:19,890 --> 00:08:23,070 I don't really know, it depends if I have all the feeling, it smells a little bit 156 00:08:23,070 --> 00:08:26,590 that thing. I don't know, says in this case, provide us with sheet plans 157 00:08:26,590 --> 00:08:27,830 who marked you, who pleased you. 158 00:08:28,310 --> 00:08:33,470 A sheet plan that stood out to me? I don't 159 00:08:33,470 --> 00:08:37,270 I don't have that many, in fact, it's rather me getting into it. 160 00:08:37,909 --> 00:08:40,950 Well, we’re moving forward! That's why that I don't know the reason. 161 00:08:41,260 --> 00:08:43,580 It's rather me who enters the mutual aid. Okay, go for it, I'll make you 162 00:08:43,580 --> 00:08:44,539 gift of consultation. 163 00:08:44,540 --> 00:08:45,540 And tell us about it. 164 00:08:46,440 --> 00:08:49,120 So how do you flirt? There you go, a you like the guy. Ah, well, 165 00:08:49,940 --> 00:08:53,360 when you're in a bar, usually, it 'is a man who is sitting at the bar, I 166 00:08:53,360 --> 00:08:55,940 sit next to me, and then... You take out a song at the bar. 167 00:08:56,840 --> 00:08:57,840 Hello Sir. 168 00:08:57,920 --> 00:09:01,580 No, I'm starting to take a little glass of wine, I start chatting, and 169 00:09:01,580 --> 00:09:05,680 I see that the discussion is progressing, I push my hand, quietly, I do 170 00:09:05,680 --> 00:09:06,679 pass the message. 171 00:09:06,680 --> 00:09:07,680 Usually they understand enough. 172 00:09:08,400 --> 00:09:11,220 Anyway, in my opinion, seeing how t you're drunk and the grumps you have, 173 00:09:11,260 --> 00:09:13,940 it shouldn't be very complicated for one sleeping guy. 174 00:09:14,800 --> 00:09:18,800 And you're the type to sleep first evening, or lively at the back of the bar? Oh, 175 00:09:18,800 --> 00:09:19,800 the ass, it's the ass. 176 00:09:19,920 --> 00:09:21,100 Oh yeah, okay, that's how you are. 177 00:09:22,120 --> 00:09:25,260 Without that, we, I am the daughter Michel, we're going to go for a little walk, 178 00:09:25,260 --> 00:09:26,260 short weekend in Orléans. 179 00:09:27,560 --> 00:09:34,540 Are you ever? And with treats 180 00:09:34,540 --> 00:09:36,700 like that, you've already done handjobs Spanish? Yeah. 181 00:09:37,690 --> 00:09:39,750 Oh yes, I love it. 182 00:09:41,370 --> 00:09:45,890 You have to put it between the dice, then you have to move well, well 183 00:09:46,130 --> 00:09:48,910 the glans, everything. 184 00:09:49,330 --> 00:09:50,930 And then even to steal all that at the same time time. 185 00:09:52,450 --> 00:09:56,930 You give us a demonstration right now 'time? Let us do a little 186 00:09:56,930 --> 00:09:59,610 the owner's turn. And we, at Jacqueline Chia, it's the first time 187 00:09:59,610 --> 00:10:01,290 that we see an Orléanaise. It is necessary that 'we discover. 188 00:10:01,550 --> 00:10:03,470 Okay, okay. 189 00:10:15,720 --> 00:10:18,760 Looks like it's an ass tonight 'Orleanse. So. 190 00:10:20,280 --> 00:10:21,520 And you, in profile. 191 00:10:22,800 --> 00:10:24,520 So. Get ahead. 192 00:10:25,460 --> 00:10:26,620 And move with your midges. 193 00:10:31,520 --> 00:10:32,520 And holding on. 194 00:10:33,300 --> 00:10:35,380 Well, that's it. Holding on, I will arrive. 195 00:10:36,420 --> 00:10:41,180 Have you ever dreamed of touching blows like that, you? Yeah, it was 196 00:10:41,180 --> 00:10:42,180 night. 197 00:10:43,480 --> 00:10:44,500 Handkerchief in hand. 198 00:10:47,349 --> 00:10:51,810 So listen, to help you, give ideas, inspirations for your comic, already 199 00:10:51,810 --> 00:10:55,710 we're going to show you what a real pervert cock, a real pervert cock 200 00:10:55,710 --> 00:10:56,710 Jacqueline Michel. 201 00:10:58,110 --> 00:11:01,330 Max, do you want to show him your cock, what is a real cock? 202 00:11:01,330 --> 00:11:02,330 Come on. 203 00:11:14,600 --> 00:11:19,220 You look quite embarrassed there, don't you? C I'm sure it's not the best 204 00:11:19,220 --> 00:11:20,220 position. 205 00:11:24,440 --> 00:11:27,220 No but Max, be polite, you're at home Jacques-Michel anyway. 206 00:11:28,740 --> 00:11:29,900 Give him a kiss. 207 00:11:30,360 --> 00:11:31,680 Come on, give the actor a little kiss. 208 00:11:40,600 --> 00:11:43,540 You're going too fast, my dear. You have us said you were going to draw. But I don't 209 00:11:43,540 --> 00:11:44,199 don't know. 210 00:11:44,200 --> 00:11:45,240 You're going to be the model. 211 00:11:45,680 --> 00:11:47,620 You draw me Max's life for one erection. 212 00:11:48,080 --> 00:11:50,300 And you make a little dedication for Jacky and Michel. 213 00:11:54,100 --> 00:11:57,160 Take advantage. 214 00:11:57,740 --> 00:11:58,740 It will be much better. 215 00:12:06,240 --> 00:12:07,240 Stop moving. 216 00:12:15,470 --> 00:12:17,490 I had never before drawn in these conditions. 217 00:13:21,740 --> 00:13:24,000 Can I hold it on the left? 218 00:13:52,170 --> 00:13:54,070 I didn't make it thick enough everything. 219 00:13:57,470 --> 00:13:58,770 There is still a pencil stroke. 220 00:13:59,590 --> 00:14:00,610 A stroke of the pen. 221 00:14:02,970 --> 00:14:09,810 I don't know 222 00:14:09,810 --> 00:14:11,510 too much to add, so I don't have the colors. 223 00:14:30,760 --> 00:14:37,180 How do you write Jackie? How we Jackie writes? How to pronounce? 224 00:14:37,180 --> 00:14:43,580 'agreement. J -A -D -A -N -S -T -O -N -C -U -L J -A -C 225 00:14:43,580 --> 00:14:45,600 -U -U -I -E 226 00:15:05,770 --> 00:15:06,810 We're going to be shit. 227 00:16:02,120 --> 00:16:04,640 Who do we say thank you to? Thanks to you Michel! 228 00:16:57,690 --> 00:16:58,910 Look at the camera when he talks to you. 229 00:18:46,910 --> 00:18:48,570 It's not your girlfriend's, right? 230 00:19:29,160 --> 00:19:30,160 There is already a scene. 231 00:20:12,139 --> 00:20:14,500 I'm going to piss your mouth right now. 232 00:21:46,860 --> 00:21:47,860 Bye. 233 00:22:34,879 --> 00:22:39,380 Oh my god, who is it? 234 00:23:52,370 --> 00:23:54,930 You're making yourself happy, aren't you? Yes. 235 00:23:55,550 --> 00:23:58,050 It's Jacques-Thierry Michel. 236 00:23:58,350 --> 00:23:59,810 It's happiness, huh? 237 00:27:18,870 --> 00:27:20,550 Stop! 238 00:27:20,550 --> 00:27:30,930 Stop 239 00:27:30,930 --> 00:27:31,930 ! 240 00:28:13,420 --> 00:28:15,400 Subtitling Société Radio-Canada 241 00:29:59,660 --> 00:30:00,900 It's running, action! 242 00:36:24,390 --> 00:36:25,510 I think it's not the time to move. 243 00:36:58,440 --> 00:37:00,720 But what did you do with your hand? What did you do with it? 244 00:37:00,720 --> 00:37:01,720 your hand in there? 245 00:37:47,729 --> 00:37:50,750 I already killed Michel for coming this way, we're going to do that again. 246 00:37:51,110 --> 00:37:52,970 There is a Bretin camp, I had to see do that again. 247 00:37:53,990 --> 00:37:54,990 That too, I have never done. 248 00:38:38,810 --> 00:38:39,810 Come on, we'll do it again too 249 00:38:57,670 --> 00:38:59,870 It's like this, two more in pussy, like in the city, there. 250 00:40:03,180 --> 00:40:04,180 THANKS. 251 00:40:05,900 --> 00:40:08,380 THANKS. Thank you, Jacques and Michel. 252 00:40:08,960 --> 00:40:10,260 You understood your lesson. 253 00:41:31,820 --> 00:41:34,080 It's okay, how are you? 254 00:42:20,710 --> 00:42:22,070 I'm going to look at the camera saying thanks to whom. 255 00:42:22,390 --> 00:42:25,450 Thanks to whom Michel? I'm going to take my ass now. 256 00:42:28,110 --> 00:42:29,330 Then I'm going to take your ass. 257 00:42:49,840 --> 00:42:50,840 There are two of us there. 258 00:48:06,360 --> 00:48:07,500 But I'm going to take you by the ass, hein. 259 00:48:08,200 --> 00:48:09,200 Yes, please. 260 00:48:09,760 --> 00:48:11,880 Remove. Yes, please. Remove. Yes, please. 261 00:48:12,420 --> 00:48:13,620 Please. Please. 262 00:48:13,860 --> 00:48:14,339 Please. 263 00:48:14,340 --> 00:48:15,098 Please. 264 00:48:15,100 --> 00:48:15,919 Please. 265 00:48:15,920 --> 00:48:16,158 Please. 266 00:48:16,160 --> 00:48:17,019 Please. Please. Please pleases. 267 00:48:17,020 --> 00:48:18,020 Please. 268 00:56:13,480 --> 00:56:15,540 Come on, come on, 269 00:56:15,700 --> 00:56:25,260 Go on. 270 00:57:16,970 --> 00:57:17,970 ST' 501 subtitling 271 00:58:42,480 --> 00:58:43,480 Merci. 272 00:59:50,990 --> 00:59:51,990 Merci. 273 01:02:51,879 --> 01:02:55,240 Elodie, can we keep your drawing? Yes, With pleasure. 274 01:02:57,360 --> 01:02:59,380 I think he left, I don't know not where. 275 01:02:59,860 --> 01:03:01,160 He was scared, he got scared. 276 01:03:02,760 --> 01:03:04,220 We should have thought about bringing him back to Orleans.